From Curveball: The Year I Lost My Grip The next several photos are taken all in a row, click-click-click.Each is zoomed in more tightly than the one before it. The pitcher is in his windup, one arm cocked behind his head, his glove hand swinging down, across his body, toward the catcher. Then the throwing arm is whipping itsway forward in stop-time as his compact body is launched forward by the thrust of his back leg against the pitching rubber. There's a shot that freezes the action just as the ball leaves the pitcher's hand. His arm is coming straight down, and his entire body is tumbling forward. If you look past all of the moving limbs, you might be able to tell that something has gone wrong. The pitcher's face is now stretched in a grimace of agony. In the next shot, the pitcher has fallen halfway out of the frame so that you can only see his head, his shoulders, a blur of infield, outfield, the blue sky. The photographer adjusts in a split second, swinging the camera downward just enough to center his subject in the frame one more time. Now the pitcher has tumbled to his knees, and his glove hand is pressed against the elbow of his throwing arm. Click. There's one more photo, and this one is blurred, as though the photographer is moving as the shutter opens: the boy falling forward. You can tell his face is going to hit the dirt at the foot of the pitcher's mound. You can tell it's probably going to hurt. The photographer is my grandfather. The pitcher is me. Excerpted from Curveball: The Year I Lost My Grip by Jordan Sonnenblick All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
