How to look at a painting

Presents advice on ways to examine a painting to gain a better understanding of its meaning.

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Bibliographic Details
Main Author: Barbe-Gall, Françoise
Other Authors: Spencer, Stewart (Translator)
Format: Books Print Book
Language:English
French
Published: London : Frances Lincoln Ltd., c2010.
Subjects:
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001 ocn656451027
003 OCoLC
005 20130204130900.0
008 100810s2010 enkac b 001 0 eng d
020 |a 9780711232129 
020 |a 0711232121 
035 |a (OCoLC)656451027 
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041 1 |a eng  |h fre 
050 4 |a ND1143  |b .B3713 2010 
082 0 4 |a 750.118  |2 22 
100 1 |a Barbe-Gall, Françoise. 
245 1 0 |a How to look at a painting /  |c Françoise Barbe-Gall ; [translated from the French by Stewart Spencer]. 
260 |a London :  |b Frances Lincoln Ltd.,  |c c2010. 
300 |a 311 p. :  |b col. ill. ;  |c 22 cm. 
504 |a Includes bibliographical references (p. 306-307) and index. 
500 |a Originally published in French in 2006 as Comment regarder un tableau. 
520 |a Presents advice on ways to examine a painting to gain a better understanding of its meaning. 
505 0 |a Observing a simple reality: -- Discovering the essence of a character -- Confronting the truth of emotions -- Guessing what remains unsaid -- Feeling a sense of deja vu -- Believing you are at the cinema -- Recognizing the substance of the world; -- Contemplating the sublime: -- Taking part at an important event -- Flirting with the idea of perfection -- Feeling time stand still -- Accepting that we cannot see everything -- A moment's grace -- Witnessing the birth of light; -- Analyzing distortions to the visible world: -- Imagining the point of eternity -- Discerning the troubles of history -- Sensing a metamorphosis -- Glimpsing primitive nature -- Adapting to circumstances -- Abandoning the evidence; -- Taking account of what appears confusing: -- Making allowances for mystery -- Taking time to be wrong -- Appreciating a way of thinking -- Measuring the difficulty of seeing -- Welcoming a new freedom -- Feeling our way to reality; -- Getting over the shock of our first impression: -- Considering the function of a painting -- Seizing the grandeur of a ritual -- Passing through the mirror -- Understanding the logic of a vision -- Seeing life unravel -- Gaining access to the opposite side of things; -- Abandoning ourselves to the gentleness of a painting: -- Abandoning our fear of shadows -- Seeing history in the making -- Forgetting the weight of the world -- Enjoying a lasting peace -- Welcoming the ephemeral -- Learning to wait. 
650 0 |a Painting  |x Appreciation. 
650 0 |a Art appreciation. 
700 1 |a Spencer, Stewart.  |4 trl 
938 |a Baker and Taylor  |b BTCP  |n BK0009178668 
938 |a YBP Library Services  |b YANK  |n 100567326 
938 |a Blackwell Book Service  |b BBUS  |n 100567326 
994 |a C0  |b PCB 
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