Miss Anne in Harlem the white women of the Black Renaissance
This interracial history of the Harlem Renaissance focuses on white women, collectively called "Miss Anne," who became Harlem Renaissance insiders during the 1920s.
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| Main Author: | |
|---|---|
| Format: | Books Print Book |
| Language: | English |
| Published: |
New York, NY :
Harper,
[2013]
|
| Edition: | First edition. |
| Subjects: | |
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| LEADER | 00000cam a2200000Ii 4500 | ||
|---|---|---|---|
| 001 | ocn852801205 | ||
| 003 | OCoLC | ||
| 005 | 20130911154300.0 | ||
| 008 | 130715s2013 nyuaf b 001 0deng d | ||
| 016 | 7 | |a 016453089 |2 Uk | |
| 020 | |a 9780060882389 | ||
| 020 | |a 0060882387 | ||
| 035 | |a (OCoLC)852801205 |z (OCoLC)827259962 | ||
| 040 | |a UPZ |b eng |e rda |c UPZ |d UPZ |d BTCTA |d BDX |d UKMGB |d ZS3 |d ABG |d YBM |d PCB | ||
| 043 | |a n-us-ny | ||
| 050 | 4 | |a NX512.3.A35 |b K37 2013 | |
| 082 | 0 | 4 | |a 700/.92/39607307471 |2 23 |
| 100 | 1 | |a Kaplan, Carla, |e author. | |
| 245 | 1 | 0 | |a Miss Anne in Harlem : |b the white women of the Black Renaissance / |c Carla Kaplan. |
| 246 | 3 | 0 | |a White women of the Black Renaissance |
| 250 | |a First edition. | ||
| 264 | 1 | |a New York, NY : |b Harper, |c [2013] | |
| 300 | |a xxxi, 505 pages, 16 unnumbered pages of plates : |b illustrations (some color) ; |c 24 cm | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (pages 357-478) and index. | ||
| 505 | 0 | |a "A white girl's prayer" in "The poet's page," The Crisis -- Introduction: In search of MIss Anne -- 1. Miss Anne's world -- Black and white identity politics -- An erotics of race -- 2. Choosing blackness: sex, love, and passing -- Let me people go: Lillian E. Wood passes for Black -- Josephine Cogdell Schuyler: "The fall of a fair confederate" -- 3. Repudiating whiteness: politics, patronage, and primitivism -- Black souls: Annie Nathan Meyer writes Black -- Charlotte Osgood Mason: "Mother of the Primitives" -- 4. Rewards and costs: publishing, performance, and modern rebellion -- Imitation of life: Fannie Hurst's "Sensation in Harlem" -- Nancy Cunard: "I speak as if I were a Negro myself" -- Epilogue: "Love and consequences." | |
| 520 | |a This interracial history of the Harlem Renaissance focuses on white women, collectively called "Miss Anne," who became Harlem Renaissance insiders during the 1920s. | ||
| 650 | 0 | |a Harlem Renaissance |x History. | |
| 650 | 0 | |a Women, White |z New York (State) |z New York |v Biography. | |
| 650 | 0 | |a African American intellectuals |z New York (State) |z New York |v Biography. | |
| 650 | 0 | |a Women, White |z New York (State) |z New York |x Intellectual life |y 20th century. | |
| 650 | 0 | |a African Americans |z New York (State) |z New York |x Intellectual life |y 20th century. | |
| 651 | 0 | |a Harlem (New York, N.Y.) |x Intellectual life |y 20th century. | |
| 938 | |a Baker and Taylor |b BTCP |n BK0012765243 | ||
| 938 | |a Brodart |b BROD |n 104080515 | ||
| 994 | |a C0 |b PCB | ||
| 949 | |a schlow |b SANON |c 700.92 KAP |d i |e 39635103157850 |f 525702 |g ddc |j 06/26/2013 | ||
| 999 | |a 347961 | ||
