We need to talk about Kevin

That neither nature nor nurture bears exclusive responsibility for a child's character is self-evident. But generalizations about genes are likely to provide cold comfort if it's your own child who just opened fire on his feellow algebra students and whose class photograph--with its unseemly grin--i...

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Bibliographic Details
Main Author: Shriver, Lionel
Format: Downloads eBook Books eBook
Language:English
Published: 2011.
Subjects:
Online Access:Go to Downloadable eBook Here.
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520 |a That neither nature nor nurture bears exclusive responsibility for a child's character is self-evident. But generalizations about genes are likely to provide cold comfort if it's your own child who just opened fire on his feellow algebra students and whose class photograph--with its unseemly grin--is shown on the evening news coast-to-coast. If the question of who's to blame for teenage atrocity intrigues news-watching voyeurs, it tortures our narrator, Eva Khatchadourian. Two years before the opening of the novel, her son, Kevin, murdered seven of his fellow high school students, a cafeteria worker, and the much-beloved teacher who had tried to befriend him. Because his sixteenth birthday arrived two days after the killings, he received a lenient sentence and is currently in a prison for young offenders in upstate New York. In relating the story of Kevin's upbringing, Eva addresses her estranged husband, Frank, through a series of startingly direct letters. Fearing that her own shortcomings may have shaped what her son became, she confesses to a deep, long-standing ambivalence about both motherhood in general--and Kevin in particular. How much is her fault? We Need To Talk About Kevin offers no at explanations for why so many white, well-to-do adolescents--whether in Pearl, Paducah, Springfield, or Littleton--have gone nihilistically off the rails while growing up in the most prosperous country in history. Instead, Lionel Shriver tells a compelling, absorbing, and resonant story with an explosive, haunting ending. She considers motherhood, marriage, family, career--while framing these horrifying tableaus of teenage carnage as metaphors for the larger tragedy of a country where everything works, nobody starves, and anything can be bought but a sense of purpose. 
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