Behind the scenes improvising long form
In this follow-up to his highly regarded book "Improvise: Scene from the Inside Out", globally acclaimed improviser, director, and instructor Mick Napier focuses on the complexities and theories of long form improvisation. This extended form of improvisation invites performers to be inspired for at...
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| Main Author: | |
|---|---|
| Format: | Books Print Book |
| Language: | English |
| Published: |
Denver, Colorado :
Meriwether Publishing,
[2015]
|
| Edition: | First edition. |
| Subjects: | |
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| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | ocn925355920 | ||
| 003 | OCoLC | ||
| 005 | 20180928144900.0 | ||
| 008 | 151014s2015 cou 000 0 eng | ||
| 010 | |a 2015040361 | ||
| 019 | |a 1004834065 | ||
| 020 | |a 9781566081993 |q (pbk.) | ||
| 020 | |a 1566081998 |q (pbk.) | ||
| 035 | |a (OCoLC)925355920 |z (OCoLC)1004834065 | ||
| 040 | |a DLC |b eng |e rda |c DLC |d BDX |d OCLCF |d BTCTA |d OCLCQ |d CHILD |d YDX |d PCB | ||
| 042 | |a pcc | ||
| 050 | 0 | 0 | |a PN2071.I5 |b N349 2015 |
| 082 | 0 | 0 | |a 792.02/8 |2 23 |
| 100 | 1 | |a Napier, Mick, |e author. | |
| 245 | 1 | 0 | |a Behind the scenes : |b improvising long form / |c Mick Napier. |
| 250 | |a First edition. | ||
| 264 | 1 | |a Denver, Colorado : |b Meriwether Publishing, |c [2015] | |
| 300 | |a x, 210 pages ; |c 22 cm | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 520 | |a In this follow-up to his highly regarded book "Improvise: Scene from the Inside Out", globally acclaimed improviser, director, and instructor Mick Napier focuses on the complexities and theories of long form improvisation. This extended form of improvisation invites performers to be inspired for at least thirty minutes by a single suggestion as they push their creativity to the limit. Napier taps into over 30 years of experience and distils his tools for success into practical, engaging lessons: The art of introductions and edits; Different approaches to openers; Pros and cons of the back line; Why it's okay to be funny; Finding the dominant energy; Sustaining a strong character. | ||
| 650 | 0 | |a Improvisation (Acting) | |
| 690 | 0 | |a Happy Valley Improv tribute. | |
| 994 | |a C0 |b PCB | ||
| 949 | |a Schlow |b SANON |c 792.028 NAP |d i |e 39635103886293 |f 648880 |g ddc |j 09/28/2018 | ||
| 999 | |a 424265 | ||
