Elderhood [LP] redefining aging, transforming medicine, reimagining life

"As revelatory as Atul Gawande's Being Mortal, physician and award-winning author Louise Aronson's Elderhood is an essential, empathetic look at a vital but often disparaged stage of life. For more than 5,000 years, "old" has been defined as beginning between the ages of 60...

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Main Author: Aronson, Louise (Author)
Format: Books Print Book Large Print
Language: English
Published: Farmington Hills, Mich : Thorndike Press, a part of Gale, a Cengage Company, 2019.
Edition: Large print edition.
Subjects:
Summary: "As revelatory as Atul Gawande's Being Mortal, physician and award-winning author Louise Aronson's Elderhood is an essential, empathetic look at a vital but often disparaged stage of life. For more than 5,000 years, "old" has been defined as beginning between the ages of 60 and 70. That means most people alive today will spend more years in elderhood than in childhood, and many will be elders for 40 years or more. Yet at the very moment that humans are living longer than ever before, we've made old age into a disease, a condition to be dreaded, denigrated, neglected, and denied. Reminiscent of Oliver Sacks, noted Harvard-trained geriatrician Louise Aronson uses stories from her quarter century of caring for patients, and draws from history, science, literature, popular culture, and her own life to weave a vision of old age that's neither nightmare nor utopian fantasy--a vision full of joy, wonder, frustration, outrage, and hope about aging, medicine, and humanity itself. Elderhood is for anyone who is, in the author's own words, "an aging, i.e., still-breathing human being." "--
Physical Description: 855 pages (large print) ; 23 cm.
Bibliography: Includes bibliographical references and index.
ISBN: 9781432870829
1432870823
Author Notes: Modern dancer and choreographer Twyla Tharp was born in Portland, Indiana. As a child, Tharp was an accomplished musician, dancer, and athlete. In the early 1960s, she went to New York City to study dance, and she performed with the Paul Taylor Dance Company from 1963 to 1965. Then, in 1965, she formed her own small company, focusing her efforts on choreographing severe modern-dance works. As both a dancer and a choreographer, Tharp is noted for her ability to create dance with a popular appeal without losing integrity or depth. Although her first works were rather somber and highly structured in style, her later works have often captured a more whimsical note. Eight Jelly Rolls (1971), for example, delighted audiences with its dancing set to the jazz piano music of "Jelly Roll" Morton. Other enormously popular works include Coupe (1973), a piece set to music by the Beach Boys, and Push Comes to Shove (1976), which was choreographed for the ballet star Mikhail Baryshnikov. In addition to creating works for her own company, Tharp has created commissioned pieces for a number of other dance companies, for films, and for nondancers in such other entertainment fields as ice-skating and sports. These works include Bach Partita (1984), created for American Ballet Theatre, When We Were Very Young (1980) and The Catherine Wheel (1983), created for Broadway, and dance numbers created for the films Hair (1979) and White Knights (1985). (Bowker Author Biography)