The other American moderns Matsura, Ishigaki, Noda, Hayakawa
"Examines the works of four early to mid-twentieth-century American artists of Asian descent. Focuses on their critical engagement with notions of American modernism, and illuminates a transcultural positioning in modern American culture that predates our contemporary discourse on race and identity"...
Saved in:
| Main Author: | |
|---|---|
| Format: | Books Print Book |
| Language: | English |
| Published: |
University Park, Pennsylvania :
Penn State University Press,
[2017]
|
| Subjects: | |
| Tags: |
No Tags, Be the first to tag this record!
|
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | ocn964698102 | ||
| 003 | OCoLC | ||
| 005 | 20210501105500.0 | ||
| 008 | 161128s2017 paua b s001 0 eng c | ||
| 010 | |a 2016049439 | ||
| 019 | |a 1001306660 |a 1002694655 |a 1002696276 |a 1003423312 |a 1004258847 |a 1004600202 |a 1004724952 |a 1005607643 |a 1007243408 |a 1012207130 |a 1015887049 |a 1049771031 |a 1050145751 |a 1192322801 |a 1195453794 |a 1201897371 | ||
| 020 | |a 9780271077734 |q (cloth ; |q alk. paper) | ||
| 020 | |a 0271077735 |q (cloth ; |q alk. paper) | ||
| 024 | 8 | |a 40027382083 | |
| 035 | |a (OCoLC)964698102 |z (OCoLC)1001306660 |z (OCoLC)1002694655 |z (OCoLC)1002696276 |z (OCoLC)1003423312 |z (OCoLC)1004258847 |z (OCoLC)1004600202 |z (OCoLC)1004724952 |z (OCoLC)1005607643 |z (OCoLC)1007243408 |z (OCoLC)1012207130 |z (OCoLC)1015887049 |z (OCoLC)1049771031 |z (OCoLC)1050145751 |z (OCoLC)1192322801 |z (OCoLC)1195453794 |z (OCoLC)1201897371 | ||
| 040 | |a PSt/DLC |b eng |e rda |c UPM |d DLC |d BTCTA |d YDX |d ERASA |d SZR |d NTE |d TFW |d VA@ |d GZM |d YUS |d MBB |d VT2 |d OCLCQ |d GUA |d CHVBK |d OCLCO |d MUU |d ZLM |d ORU |d OCLCF |d BDX |d NAM |d OCLCA |d OCLCQ |d OCLCO |d OCLCA |d BP1 |d KNV |d OCLCQ |d OCLCO |d PCB | ||
| 042 | |a pcc | ||
| 043 | |a n-us--- | ||
| 050 | 0 | 0 | |a N6538.J32 |b W36 2017 |
| 082 | 0 | 0 | |a 709.04 |2 23 |
| 100 | 1 | |a Wang, ShiPu, |e author. | |
| 245 | 1 | 4 | |a The other American moderns : |b Matsura, Ishigaki, Noda, Hayakawa / |c ShiPu Wang. |
| 264 | 1 | |a University Park, Pennsylvania : |b Penn State University Press, |c [2017] | |
| 300 | |a xiii, 180 pages : |b illustrations ; |c 27 cm | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 336 | |a still image |b sti |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 520 | |a "Examines the works of four early to mid-twentieth-century American artists of Asian descent. Focuses on their critical engagement with notions of American modernism, and illuminates a transcultural positioning in modern American culture that predates our contemporary discourse on race and identity"--Provided by publisher | ||
| 520 | |a "ShiPu Wang analyzes the works of four early twentieth-century American artists who engaged with the concept of "Americanness": Frank Matsura, Eitarō Ishigaki, Hideo Noda, and Miki Hayakawa. In so doing, he recasts notions of minority artists' contributions to modernism and American culture. Wang presents comparative studies of these four artists' figurative works that feature Native Americans, African Americans, and other racial and ethnic minorities, including Matsura and Susan Timento Pose at Studio (ca. 1912), The Bonus March (1932), Scottsboro Boys (1933), and Portrait of a Negro (ca. 1926). Rather than creating art that reflected "Asian aesthetics," Matsura, Ishigaki, Noda, and Hayakawa deployed "imagery of the Other by the Other" as their means of exploring, understanding, and contesting conditions of diaspora and notions of what it meant to be American in an age of anti-immigrant sentiment and legislation. Based on a decade-long excavation of previously unexamined collections in the United States and Japan, The Other American Moderns is more than a rediscovery of "forgotten" minority artists: it reconceives American modernism by illuminating these artists' active role in the shaping of a multicultural and cosmopolitan culture. This nuanced analysis of their deliberate engagement with the ideological complexities of American identity contributes a new vision to our understanding of non-European identity in modernism and American art."--Publisher's description | ||
| 504 | |a Includes bibliographical references (pages 133-167) and index. | ||
| 505 | 0 | |a Introduction : the other American moderns -- Going "native" in an American borderland : Frank S. Matsura's photographic miscegenation -- By proxy of his black heroes : Eitarō Ishigaki and the battles for equality -- We are Scottsboro boys : Hideo Noda's visual rhetoric of transracial solidarity -- In search of Miki : Hayakawa, a Californian cosmopolitan -- Epilogue : concerning exclusion. | |
| 600 | 1 | 0 | |a Matsura, Frank, |d 1873-1913 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Ishigaki, Eitarō, |d 1893-1958 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Noda, Hideo, |d 1908-1939 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Hayakawa, Miki, |d 1899-1953 |x Criticism and interpretation. |
| 650 | 0 | |a Japanese American art |y 20th century. | |
| 650 | 0 | |a Modernism (Art) |z United States. | |
| 994 | |a C0 |b PCB | ||
| 949 | |a Schlow |b SANON |c 709.04 WAN |d i |e 39635104204959 |f 700612 |g ddc |j 05/01/2021 | ||
| 999 | |a 458134 | ||
