London art worlds mobile, contingent, and ephemeral networks, 1960-1980
"Examines the rich networks of international artists and art practices that emerged in and around London during the 1960s and 1970s. Discusses diverse practices, movements, and spaces, from painting, sculpture, and film to performance, conceptual, and land art"--Provided by publisher.
| Other Authors: | , , |
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| Format: | Books Print Book |
| Language: | English |
| Published: |
University Park, Pennsylvania :
The Pennsylvania State University Press,
[2018]
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| Series: | Refiguring modernism.
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| Subjects: | |
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| Summary: | "Examines the rich networks of international artists and art practices that emerged in and around London during the 1960s and 1970s. Discusses diverse practices, movements, and spaces, from painting, sculpture, and film to performance, conceptual, and land art"--Provided by publisher. |
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| Physical Description: | ix, 234 pages ; illustrations (some color) ; 25 cm. |
| Bibliography: | Includes bibliographical references (pages 201-212) and index. |
| ISBN: | 9780271078533 0271078537 9780271078540 0271078545 |
| Author Notes: | Jo Applin is Lecturer at the Courtauld Institute of Art, London. Her recent books include Eccentric Objects: Rethinking Sculpture in 1960s America and Yayoi Kusama: Infinity Mirror Room--Phalli's Field . Catherine Spencer is Lecturer in Art History at the University of St. Andrews. She has published articles and essays in Tate Papers , Oxford Art Journal , and the book British Art in the Nuclear Age . Amy Tobin lectures in the History of Art at the University of Cambridge. She has published essays in Tate Papers , British Art Studies , and MIRAJ . |
