The surviving image phantoms of time and time of phantoms : Aby Warburg's history of art

"The Surviving Image, originally published in French in 2002, is the result of Georges Didi-Huberman's extensive research into the life and work of foundational art historian Aby Warburg. Warburg envisioned an art history that engaged with anthropology, psychoanalysis, and philosophy in order to und...

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Bibliographic Details
Main Author: Didi-Huberman, Georges (Author)
Other Authors: Mendelsohn, Harvey (Translator)
Format: Books Print Book
Language:English
French
Published: University Park, Pennsylvania : The Pennsylvania State University Press, [2017]
Subjects:
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100 1 |a Didi-Huberman, Georges,  |e author. 
240 1 0 |a Image survivante.  |l English 
245 1 4 |a The surviving image :  |b phantoms of time and time of phantoms : Aby Warburg's history of art /  |c Georges Didi-Huberman ; translated by Harvey L. Mendelsohn. 
264 1 |a University Park, Pennsylvania :  |b The Pennsylvania State University Press,  |c [2017] 
300 |a x, 414 pages :  |b illustrations ;  |c 26 cm 
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500 |a "Originally published in French in 2002, examines the life and work of art historian Aby Warburg. Demonstrates the complexity and importance of Warburg's ideas, addressing broader questions regarding art historians' conceptions of time, memory, symbols, and the relationship between art and the rational and irrational forces of the psyche"--Provided by publisher. 
520 |a "The Surviving Image, originally published in French in 2002, is the result of Georges Didi-Huberman's extensive research into the life and work of foundational art historian Aby Warburg. Warburg envisioned an art history that engaged with anthropology, psychoanalysis, and philosophy in order to understand the "life" of images. Drawing on a wide range of Warburg's unpublished letters and diaries, Didi-Huberman demonstrates unequivocally the complexity and importance of Warburg's ideas and the ways in which his legacy was both distorted and diffused as art history became a "humanistic" discipline. The Surviving Image takes Warburg as its main subject but also addresses broader questions regarding art historians' conceptions of time, memory, and symbols and the relationship between art and the rational and irrational forces of the psyche."--Publisher's description. 
504 |a Includes bibliographical references and index. 
505 0 |a The image as phantom : survival of forms and impurities of time -- The image as pathos : lines of fracture and formulas of intensity -- The image as symptom : fossils in motion and montages of memory. 
520 |a Demonstrates the complexity and importance of Warburg's ideas, addressing broader questions regarding art historians' conceptions of time, memory, symbols, and the relationship between art and the rational and irrational forces of the psyche. --Provided by publisher. 
600 1 0 |a Warburg, Aby,  |d 1866-1929. 
650 0 |a Art  |x Historiography. 
650 0 |a Art  |x Philosophy. 
690 0 |a Beck, Regan tribute. 
700 1 |a Mendelsohn, Harvey,  |e translator. 
776 0 8 |i Online version:  |a Didi-Huberman, Georges.  |s Image survivante. English.  |t Surviving image  |w (OCoLC)1250227382 
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