You don't know us negroes and other essays

"One of the most acclaimed artists of the Harlem Renaissance, Zora Neale Hurston was a gifted novelist, playwright, and essayist. Drawn from three decades of her work, this anthology showcases her development as a writer, from her early pieces expounding on the beauty and precision of African A...

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Main Author: Hurston, Zora Neale (Author)
Other Authors: West, Margaret Genevieve (Editor)
Format: Books Print Book
Language: English
Published: New York, NY : Amistad, 2022.
Edition: First edition.
Subjects:
Summary: "One of the most acclaimed artists of the Harlem Renaissance, Zora Neale Hurston was a gifted novelist, playwright, and essayist. Drawn from three decades of her work, this anthology showcases her development as a writer, from her early pieces expounding on the beauty and precision of African American art to some of her final published works, covering the sensational trial of Ruby McCollum, a wealthy Black woman convicted in 1952 for killing a white doctor. Among the selections are Hurston's well-known works such as "How It Feels to be Colored Me" and "My Most Humiliating Jim Crow Experience." The essays in this essential collection are grouped thematically and cover a panoply of topics, including politics, race and gender, and folkloric study from the height of the Harlem Renaissance to the early years of the Civil Rights movement. Demonstrating the breadth of this revered and influential writer's work, You Don't Know Us Negroes and Other Essays is an invaluable chronicle of a writer's development and a window into her world and time"--
Physical Description: x, 451 pages ; 24 cm
Bibliography: Includes bibliographical references.
ISBN: 9780063043855
0063043858
9780063043862
0063043866
9780063211100
0063211106
Author Notes: Zora Neale Hurston was born in 1901 in Eatonville, Fla. She left home at the age of 17, finished high school in Baltimore, and went on to study at Howard University, Barnard College, and Columbia University before becoming one of the most prolific writers in the Harlem Renaissance.

Her works included novels, essays, plays, and studies in folklore and anthropology. Her most productive years were the 1930s and early 1940s. It was during those years that she wrote her autobiography Dust Tracks on a Road, worked with the Federal Writers Project in Florida, received a Guggenheim fellowship, and wrote four novels. She is most remembered for her novel Their Eyes Were Watching God, published in 1937. In 2018, her previously unpublished work, Barracoon: The Story of the Last Black Cargo, was published.

She died penniless and in obscurity in 1960 and was buried in an unmarked grave. In 1973, her grave was rediscovered and marked and her novels and autobiography have since been reprinted.

(Bowker Author Biography)