Every time we say goodbye
"In 1955, Vivien Lowry is facing the greatest challenge of her life. Her latest play, the only female-authored play on the London stage that season, has opened in the West End to rapturous applause from the audience. The reviewers, however, are not as impressed as the playgoers and their savage noti...
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| Main Author: | |
|---|---|
| Format: | Books Print Book |
| Language: | English |
| Published: |
New York :
St. Martin's Press,
2024.
|
| Edition: | First U.S. edition. |
| Subjects: | |
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| LEADER | 00000cam a22000008i 4500 | ||
|---|---|---|---|
| 001 | on1393204614 | ||
| 003 | OCoLC | ||
| 005 | 20240717101400.0 | ||
| 008 | 240102s2024 nyuab 000 f eng | ||
| 010 | |a 2023058014 | ||
| 019 | |a 1432089121 | ||
| 020 | |a 9781250285188 |q (hardcover) | ||
| 020 | |a 1250285186 |q (hardcover) | ||
| 020 | |a 9781250361066 |q (international, sold outside the U.S., subject to rights availability) | ||
| 020 | |a 1250361060 |q (international, sold outside the U.S., subject to rights availability) | ||
| 020 | |z 9781250285195 |q (ebook) | ||
| 035 | |a (OCoLC)1393204614 |z (OCoLC)1432089121 | ||
| 040 | |a DLC |b eng |e rda |c DLC |d OCLCO |d HCO |d ZGW |d MWD |d YU6 |d IMT | ||
| 042 | |a pcc | ||
| 043 | |a e-it--- | ||
| 050 | 0 | 0 | |a PR9199.4.J448 |b E94 2024 |
| 082 | 0 | 0 | |a 813/.6 |2 23/eng/20240102 |
| 100 | 1 | |a Jenner, Natalie, |e author. | |
| 245 | 1 | 0 | |a Every time we say goodbye / |c Natalie Jenner. |
| 250 | |a First U.S. edition. | ||
| 264 | 1 | |a New York : |b St. Martin's Press, |c 2024. | |
| 300 | |a x, 322 pages : |b illustrations, maps ; |c 25 cm | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 520 | |a "In 1955, Vivien Lowry is facing the greatest challenge of her life. Her latest play, the only female-authored play on the London stage that season, has opened in the West End to rapturous applause from the audience. The reviewers, however, are not as impressed as the playgoers and their savage notices not only shut down the play but ruin Lowry's last chance for a dramatic career. With her future in London not looking bright, at the suggestion of her friend, Peggy Guggenheim, Vivien takes a job in as a script doctor on a major film shooting in Rome's Cinecitta Studios. There she finds a vibrant movie making scene filled with rising stars, acclaimed directors, and famous actors in a country that is torn between its past and its potentially bright future, between the liberation of the post-war cinema and the restrictions of the Catholic Church that permeates the very soul of Italy. As Vivien tries to forge a new future for herself, she also must face the long-buried truth of the recent World War and the mystery of what really happened to her deceased fiancé"-- |c Provided by publisher. | ||
| 600 | 1 | 0 | |a Guggenheim, Peggy, |d 1898-1979 |v Fiction. |
| 650 | 0 | |a Women dramatists |v Fiction. | |
| 650 | 0 | |a Theater |v Fiction. | |
| 650 | 0 | |a Women in motion pictures |v Fiction. | |
| 651 | 0 | |a Italy |v Fiction. | |
| 655 | 7 | |a Historical fiction. |2 lcgft | |
| 994 | |a C0 |b PCB | ||
| 949 | |a schlow |b SAFIC |c Jenner |d i |e 39635104590359 |f 767806 |g loc |j 04/02/2024 | ||
| 949 | |a schlow |b SAFIC |c Jenner |d i |e 39635104590397 |f 767807 |g loc |j 04/02/2024 | ||
| 999 | |a 489140 | ||
