No lost causes club
When she was told that her life expectancy may be as low as twenty-five if she did not stop drinking, Lauren felt absolutely nothing – then the sparks of despair. How was she here? Surely, sobriety was for middle-aged divorcées who'd lost everything, not young, struggling singers who didn't have an...
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| Format: | Books Print Book |
| Language: | English |
| Published: |
London :
4th Estate,
2025.
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| Subjects: | |
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| Summary: | When she was told that her life expectancy may be as low as twenty-five if she did not stop drinking, Lauren felt absolutely nothing – then the sparks of despair. How was she here? Surely, sobriety was for middle-aged divorcées who'd lost everything, not young, struggling singers who didn't have anything to lose in the first place? Besides, when alcohol is the only medicine that makes the world feel bearable, how can you possibly stop taking it? Six years later, Lauren has found her way to an intricate answer. Entwining practical, empathetic suggestions with intimate memoir, No Lost Causes Club is an intrinsically vulnerable and brutally honest exploration of what living a full life after you get clean looks like. From delving into the social complexities that often leave people hopelessly dependent on alcohol, to centring the struggles of those newly navigating sobriety, this book is a soothing balm for anyone wondering how to carve a beautiful life from a world that never made sense before. |
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| Physical Description: | 272 pages ; 23 cm |
| ISBN: | 9798874881948 9780008685164 0008685169 |
| Author Notes: | Lauren McQuistin is a London based Scottish musician and writer, whose debut book, No Lost Causes Club, is based on her multiple years of sobriety and her running of the instagram page @brutalrecovery (171k followers). She has been creating content there for five years, for recovering humans looking for identification, and a message with equal parts humour and hope. Lauren was a professional opera singer, winning the district round of the Metropolitan National Opera Competition three times. She uses her experience as a musician to teach trauma informed musicianship, and has been featured in the Journal of Singing for her research on the subject of trauma's impact on the voice. |
