The beginning comes after the end notes on a world of change

Rebecca Solnit offers a thrilling account of the sheer breadth and scale of social, political, scientific, and cultural change over the past three quarters of a century. In this sequel to her enduring bestseller Hope in the Dark, Solnit surveys a world that has changed dramatically since the year 19...

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Bibliographic Details
Main Author: Solnit, Rebecca (Author)
Format: Books Print Book
Language:English
Published: Chicago : Haymarket Books, 2026.
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Summary:Rebecca Solnit offers a thrilling account of the sheer breadth and scale of social, political, scientific, and cultural change over the past three quarters of a century. In this sequel to her enduring bestseller Hope in the Dark, Solnit surveys a world that has changed dramatically since the year 1960. Despite the forces seeking to turn back the clock on history, change is not a possibility; it is an inevitability. The changes amount to nothing less than dismantling an old civilization and building a new one, whose newness is often the return of the old ways and wisdoms. In this rising worldview, interconnection is a core idea and value. But because the transformation is obscured within a longer arc of history, its scale is seldom recognized. While the white nationalist and authoritarian backlash drives individualism and isolation, this new world embraces antiracism, feminism, a more expansive understanding of gender, environmental thinking, scientific breakthroughs, and Indigenous and non-Western ideas, pointing toward a more interconnected, relational world.
Physical Description:160 pages ; 20 cm
ISBN:9798888904510
9798888904923
Author Notes:Rebecca Solnit writes extensively on photography and landscape. She is a contributing editor to Art Issues and Creative Camera and is the author of three books. She has contributed essays to several museum catalogues including Crimes and Splendors: The Desert Cantos of Richard Misrach and the Whitney Museum's Beat Culture and the New America. She was a 1993 recipient of a National Endowment for the Arts Fellowship.

(Bowker Author Biography)