Krasner and Pollock, past continuous
"Lee Krasner (1908-1984) and Jackson Pollock (1912-1956) met as emerging artists in New York in the winter of 1941. They married in 1945 and moved to Springs, Long Island, where they remained entwined personally, artistically, and professionally until Pollock's untimely death. While Pollock's reputa...
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| Format: | Books Print Book |
| Language: | English |
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New York :
The Metropolitan Museum of Art,
[2026]
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| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | on1606241020 | ||
| 003 | OCoLC | ||
| 005 | 20261027155500.0 | ||
| 008 | 260721t20262026nyua bc 001 0 eng d | ||
| 019 | |a 1570755730 | ||
| 020 | |a 9781588398239 | ||
| 020 | |a 1588398234 | ||
| 035 | |a (OCoLC)1606241020 |z (OCoLC)1570755730 | ||
| 040 | |a MZA |b eng |e rda |c MZA |d YDX |d BDX |d IG# |d OCLCO |d OCLCQ |d OCLCF |d OCLCO |d OCLCQ | ||
| 050 | 4 | |a N6537.K69 |b A4 2026 | |
| 245 | 0 | 0 | |a Krasner and Pollock, past continuous / |c David Breslin, Brinda Kumar ; with contributions by Igshaan Adams, Nairy Baghramian, Mark Bradford, Jadé Fadojutimi, Johanna Fateman, Rachel Harrison, Matthew Holman, Jacqueline Humphries, Laura Owens, Prudence Peiffer, CJ Salapare, Amy Sillman, Vivian Suter |
| 246 | 3 | 0 | |a Past continuous |
| 264 | 1 | |a New York : |b The Metropolitan Museum of Art, |c [2026] | |
| 264 | 2 | |a New Haven ; |a London : |b Yale University Press | |
| 264 | 4 | |c ©2026 | |
| 300 | |a 327 pages : |b illustrations ; |c 29 cm | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 336 | |a still image |b sti |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 340 | |p illustration |2 rdaill | ||
| 353 | |a bibliography |b bibliography | ||
| 353 | |a index |b index | ||
| 500 | |a "This catalogue is published in conjunction with Krasner and Pollock: Past Continuous, on view at The Metropolitan Museum of Art, New York, from October 4, 2026, through January 31, 2027."--Colophon | ||
| 504 | |a Includes bibliographical references (pages 316-318) and index | ||
| 505 | 0 | |a Director's Foreword / Max Hollein -- Acknowledgments -- Contributors -- Lenders to the Exhibition -- Introduction / David Breslin and Brinda Kumar -- A Way into Painting : Krasner, Pollock, and Abstraction in Springs / Brinda Kumar -- We Were Not Earthbound : The Weight of Collage / Prudence Peiffer -- Two Retrospectives : Pollock and Krasner in London / Matthew Holman -- Krasner and Pollock's Common Time / Johanna Fateman -- Figure and Ground / Amy Sillman -- The Echo of Other Voices : Influence and Unknowing in Krasner and Pollock / David Breslin -- Plates -- Krasner Before Pollock -- Pollock Before Krasner -- Krasner : 1942-1956 -- Pollock : 1942-1956 -- Krasner : Future Indicative -- Krasner and Pollock Today / Igshaan Adams, Nairy Baghramian, Mark Bradford, Jadé Fadojutimi, Rachel Harrison, Jacqueline Humphries, Laura Owens, Vivian Suter -- Chronology / CJ Salapare -- Works in the Exhibition -- Notes -- Selected Bibliography -- Index -- Photography Credits | |
| 520 | 8 | |a "Lee Krasner (1908-1984) and Jackson Pollock (1912-1956) met as emerging artists in New York in the winter of 1941. They married in 1945 and moved to Springs, Long Island, where they remained entwined personally, artistically, and professionally until Pollock's untimely death. While Pollock's reputation historically eclipsed Krasner's, today, both artists' practices are rightly recognized as central to the innovations of art from the mid-20th century onwards. This exhibition continues and amplifies this reevaluation, on their own terms and in dynamic relation to each other. Drawing its subtitle, Past Continuous, from a 1976 painting by Krasner, the exhibition traces parallel lives and practices--forged first by lived experience, then shadowed by memory. Krasner, born in Brooklyn to Jewish immigrant parents from what is now Ukraine, and Pollock, raised in Los Angeles and the American West, brought specific geographies and inheritances into a shared artistic context. Their early paths traced distinct strands of American modernism that would ultimately converge in the rupture known as Abstract Expressionism, a movement that valued the translation of inner feelings into dramatic visual action. In the wake of World War II, artists asked why art mattered and what it could be. For Pollock, his breakthrough was the "drip" technique, a radical mode of painting that flourished in a condensed but prolific period. Krasner's varied practice was typified by ceaseless explorations of abstraction, often cued by her abiding interest in the possibilities of nature and color. Krasner and Pollock: Past Continuous is the first major New York presentation devoted to either artist in more than 20 years. Featuring over 120 works, it is the first exhibition to look at the full arc of their careers together." -- Metropolitan Museum of Art website | |
| 600 | 1 | 0 | |a Krasner, Lee, |d 1908-1984 |v Exhibitions. |
| 600 | 1 | 0 | |a Pollock, Jackson, |d 1912-1956 |v Exhibitions. |
| 650 | 0 | |a Painting, American |y 20th century |v Exhibitions. | |
| 655 | 7 | |a Exhibition catalogs. |2 lcgft | |
| 700 | 1 | |a Krasner, Lee, |d 1908-1984, |e artist. | |
| 700 | 1 | |a Pollock, Jackson, |d 1912-1956, |e artist. | |
| 700 | 1 | |a Breslin, David, |e contributor, |e curator. | |
| 700 | 1 | |a Kumar, Brinda, |e contributor, |e curator. | |
| 700 | 1 | |a Adams, Igshaan, |d 1982- |e contributor. | |
| 700 | 1 | |a Baghramian, Nairy, |d 1971- |e contributor. | |
| 700 | 1 | |a Bradford, Mark, |d 1961- |e contributor. | |
| 700 | 1 | |a Fadojutimi, Jadé, |d 1993- |e contributor. | |
| 700 | 1 | |a Fateman, Johanna, |d 1974- |e contributor. | |
| 700 | 1 | |a Harrison, Rachel, |d 1966- |e contributor. | |
| 700 | 1 | |a Holman, Matthew |q (Matthew James), |e contributor. | |
| 700 | 1 | |a Humphries, Jacqueline, |d 1960- |e contributor. | |
| 700 | 1 | |a Owens, Laura, |e contributor. | |
| 700 | 1 | |a Peiffer, Prudence, |e contributor. | |
| 700 | 1 | |a Salapare, C. J., |e contributor. | |
| 700 | 1 | |a Sillman, Amy, |e contributor. | |
| 700 | 1 | |a Suter, Vivian, |d 1949- |e contributor. | |
| 710 | 2 | |a Metropolitan Museum of Art (New York, N.Y.), |e hosting institution, |e issuing body. | |
| 994 | |a C0 |b PCB | ||
| 949 | |a schlow |b SANONNE |c 759.13 BRE |d h |e 39635104970557 |f 831335 |g ddc |j 10/12/2026 | ||
| 999 | |a 524410 | ||
